This piece was directly influenced through electronic media and music concrete. The work itself written in 2004, was conceived around the idea of sine waves, and the different phases possible when two waves are combined (e.g. sin/-sin, or sin/cos). The idea was to create a harmonic palette that reflected the contours and changes of the sine waves as they phased in and out with each other and the different sonorities that melded or clashed during each phase.
Performance History:
- Premiered at Syracuse University